Happiness In Brave New World Essay, Research Paper Happiness in Brave New World When we look to define happiness, many different ideas come to mind. Webster s New Collegiate Dictionary uses three definitions for happiness: good fortune, a state of well being and contentment, and a pleasurable satisfaction.
Happiness In Brave New World Essay, Research Paper
Happiness in Brave New World
When we look to define happiness, many different ideas come to mind. Webster s New Collegiate Dictionary uses three definitions for happiness: good fortune, a state of well being and contentment, and a pleasurable satisfaction. In Brave New World, Aldus Huxley argues that a society can redefine happiness through the government s manipulation of the environment and the human mind itself. The government accomplishes this by mind conditioning throughout the process of maturing, keeping a caste-based society, and obliterating problems. The government thus defines happiness as the absence of all conflict. This differs from happiness as the American society sees it: the ability to pursue and enjoy individual desires.
The conditioning of minds allows the government to impress its ideas upon maturing children. The process used is hypnop dia, or repetition of sayings during sleep. After many repetitions of one phrase, the idea is hardened within the human mind, proving most difficult to undo. Evidence of this method to provide artificial happiness surfaces in both Lenina and Bernard s actions. Huxley states this coldly during Lenina s trip home with Henry Foster, What a hideous color khaki is, remarked Lenina, voicing the hypnop dic prejudices of her caste (62). Khaki is a color worn by lower castes in the society and the higher castes are taught not to associate with them. Bernard s hypnop dic lessons did not work as well as most. He sees everything in this artificially manufactured society as dismal, and does not act against it by using soma, a drug to induce a safe hallucination and keep one felicitous. For problems that nature creates, the society of Brave New World destroys them to keep pestering insects and things of that sort from infringing on people s happiness.
It is evident that Bernard and Lenina shift their attitudes after they meet the savage, John. Bernard gets a taste of power after bringing the savage home to London and becomes satisfied and happy as defined by Brave New World, a complete turnaround from his previous, almost American ideals. Lenina finds love and joy, as an American would define it after being content for so many years in the society of Brave New World. Before he finds the savage, Bernard is unhappy with his surroundings,
With eyes for the most part downcast and, if ever they lighted on a fellow creature, at once and furtively averted, Bernard hastened across the roof. He was like a man pursued, but pursued by enemies he does not wish to see, lest they should seem more hostile even than he had supposed, and he himself be made to feel guiltier and even more helplessly alone. (63)
However, after he discovers John, he becomes just as artificial as every other conditioned human: And I had six girls last week, he confided to Helmholtz Watson. One on Monday, two on Tuesday, two more on Friday, and one on Saturday. And if I d had the time or the inclination, there were at least a dozen more who were only too anxious (158-9). Lenina, nevertheless, has a personality change in the opposite direction. Before meeting the savage, she was a typical member of Brave New World s society, reciting many of the hypnop dic teachings blindly, and being happy to be a member of the alpha caste, My word, said Lenina, I m glad I m not a Gamma (63). After John s discovery, though, she fell in love with him, an emotion that is uncouth in Brave New World s society, you see, Fanny, I like him (169), Lenina says this to her friend Fanny in the changing room after work one night when she is going to take John to the feelies.
Mustapha Mond, one of the world controllers, explains this society s goal of stability through happiness best in his discussion with the savage after John s revolt:
He [savage] insisted obstinately, Othello s good, Othello s better than those feelies.
Of course it is, the controller agreed. But that s the price we have to pay for stability. You ve got to choose between happiness and what people called high art. We have the feelies and the scent organ instead. (226)
Brave New World s definition of happiness only touches upon one of Webster s, a pleasurable satisfaction. The government, in order to accomplish stability, skews happiness to the point that it is not happy anymore.
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