Смекни!
smekni.com

Kama Sutra Essay Research Paper PREFACEIN the (стр. 2 из 4)

Suvarnanabha (second part)

Ghotakamukha (third part)

Gonardiya (fourth part)

Gonikaputra (fifth part)

Kuchumara (seventh part), respectively.

Thus the work being written in parts by different authors was almost unobtainable and, as the parts which were expounded by Dattaka and the others treated only of the particular branches of the subject to which each part related, and moreover as the original work of Babhravya was difficult to be mastered on account of its length, Vatsyayana, therefore, composed his work in a small volume as an abstract of the whole of the works of the above named authors.

PART I: INTRODUCTORY

1. Preface

2. Observations on the three worldly attainments of Virtue, Wealth, and Love

3. On the study of the Sixty-four Arts

4. On the Arrangements of a House, and Household Furniture; and about the Daily Life of a Citizen, his Companions, Amusements, etc.

5. About classes of Women fit and unfit for Congress with the Citizen, and of Friends, and Messengers

PART II: ON SEXUAL UNION

1. Kinds of Union according to Dimensions, Force of Desire, and Time; and on the different kinds of Love

2. Of the Embrace

3. On Kissing

4. On Pressing or Marking with the Nails

5. On Biting, and the ways of Love to be employed with regard to Women of different countries

6. On the various ways of Lying down, and the different kinds of Congress

7. On the various ways of Striking, and of the Sounds appropriate to them

8. About females acting the part of Males

9. On holding the Lingam in the Mouth

10. How to begin and how to end the Congress. Different kinds of Congress, and Love Quarrels

PART III: ABOUT THE ACQUISITION OF A WIFE

1. Observations on Betrothal and Marriage

2. About creating Confidence in the Girl

3. Courtship, and the manifestation of the feelings by outward signs and deeds

4. On things to be done only by the Man, and the acquisition of the Girl thereby. Also what is to be done by a Girl to gain over a Man and subject him to her

5. On the different Forms of Marriage

PART IV: ABOUT A WIFE

1. On the manner of living of a virtuous Woman, and of her behaviour during the absence of her Husband

2. On the conduct of the eldest Wife towards the other Wives of her Husband, and of the younger Wife towards the elder ones. Also on the conduct of a Virgin Widow remarried; of a Wife disliked by her Husband; of the Women in the King’s Harem; and of a Husband who has more than one Wife

PART V: ABOUT THE WIVES OF OTHER PEOPLE

1. On the Characteristics of Men and Women, and the reason why Women reject the Addresses of Men. About Men who have Success with Women, and about Women who are easily gained over

2. About making Acquaintance with the Woman, and of the efforts to gain her over

3. Examination of the State of a Woman’s mind

4. The Business of a Go-Between

5. On the Love of Persons in authority with the Wives of other People

6. About the Women of the Royal Harem, and of the keeping of one’s own Wife

PART VI: ABOUT COURTESANS

1. Of the Causes of a Courtesan resorting to Men; of the means of Attaching to herself the Man desired, and the kind of Man that it is desirable to be acquainted with

2. Of a Courtesan living with a Man as his Wife

3. Of the Means of getting Money; of the Signs of a Lover who is beginning to be Weary, and of the way to get rid of him

4. About a Reunion with a former Lover

5. Of different kinds of Gain

6. Of Gains and Losses, attendant Gains and Losses, and Doubts; and lastly, the different kinds of Courtesans

PART VII: ON THE MEANS OF ATTRACTING OTHERS TO ONE’S SELF

1. On Personal Adornment, subjugating the hearts of others, and of tonic medicines

2. Of the means of exciting Desire, and of the ways of enlarging the Lingam. Miscellaneous Experiments and Receipts

Footnotes

1

Dharma is acquisition of religious merit, and is fully described in Chapter 5, volume III, of Talboys Wheeler’s History of India, and in the edicts of Asoka.

2

Artha is acquisition of wealth and property, etc.

3

Kama is love, pleasure and sensual gratification. These three words are retained throughout in their original, as technical terms. They may also be defined as virtue, wealth and pleasure, the three things repeatedly spoken of in the Laws of Manu.

CHAPTER 2

ON THE ACQUISITION OF DHARMA, ARTHA AND KAMA

MAN, the period of whose life is one hundred years, should practise Dharma, Artha and Kama at different times and in such a manner that they may harmonize together and not clash in any way. He should acquire learning in his childhood, in his youth and middle age he should attend to Artha and Kama, and in his old age he should perform Dharma, and thus seek to gain Moksha, i.e. release from further transmigration. Or, on account of the uncertainty of life, he may practise them at times when they are enjoined to be practised. But one thing is to be noted, he should lead the life of a religious student until he finishes his education.

Dharma is obedience to the command of the Shastra or Holy Writ of the Hindoos to do certain things, such as the performance of sacrifices, which are not generally done, because they do not belong to this world, and produce no visible effect; and not to do other things, such as eating meat, which is often done because it belongs to this world, and has visible effects.

Dharma should be learnt from the Shruti (Holy Writ), and from those conversant with it.

Artha is the acquisition of arts, land, gold, cattle, wealth, equipages and friends. It is, further, the protection of what is acquired, and the increase of what is protected.

Artha should be learnt from the king’s officers, and from merchants who may be versed in the ways of commerce.

Kama is the enjoyment of appropriate objects by the five senses of hearing, feeling, seeing, tasting and smelling, assisted by the mind together with the soul. The ingredient in this is a peculiar contact between the organ of sense and its object, and the consciousness of pleasure which arises from that contact is called Kama.

Kama is to be learnt from the Kama Sutra (aphorisms on love) and from the practice of citizens.

When all the three, viz. Dharma, Artha and Kama, come together, the former is better than the one which follows it, i.e. Dharma is better than Artha, and Artha is better than Kama. But Artha should always be first practised by the king for the livelihood of men is to be obtained from it only. Again, Kama being the occupation of public women, they should prefer it to the other two, and these are exceptions to the general rule.

Objection 1

Some learned men say that as Dharma is connected with things not belonging to this world, it is appropriately treated of in a book; and so also is Artha, because it is practised only by the application of proper means, and a knowledge of those means can only be obtained by study and from books. But Kama being a thing which is practised even by the brute creation, and which is to be found everywhere, does not want any work on the subject.

Answer

This is not so. Sexual intercourse being a thing dependent on man and woman requires the application of proper means by them, and those means are to be learnt from the Kama Shastra. The non-application of proper means, which we see in the brute creation, is caused by their being unrestrained, and by the females among them only being fit for sexual intercourse at certain seasons and no more, and by their intercourse not being preceded by thought of any kind.

Objection 2

The Lokayatikas1 say: Religious ordinances should not be observed, for they bear a future fruit, and at the same time it is also doubtful whether they will bear any fruit at all. What foolish person will give away that which is in his own hands into the hands of another? Moreover, it is better to have a pigeon today than a peacock tomorrow; and a copper coin which we have the certainty of obtaining, is better than a gold coin, the possession of which is doubtful.

Answer

It is not so. 1st. Holy Writ, which ordains the practice of Dharma, does not admit of a doubt.

2nd. Sacrifices such as those made for the destruction of enemies, or for the fall of rain, are seen to bear fruit.

3rd. The sun, moon, stars, planets and other heavenly bodies appear to work intentionally for the good of the world.

4th. the existence of this world is effected by the observance of the rules respecting the four classes of men and their four stages of life.2

5th. We see that seed is thrown into the ground with the hope of future crops.

Vatsyayana is therefore of opinion that the ordinances of religion must be obeyed.

Objection 3

Those who believe that destiny is the prime mover of all things say: We should not exert ourselves to acquire wealth, for sometimes it is not acquired although we strive to get it, while at other times it comes to us of itself without any exertion on our part. Everything is therefore in the power of destiny, who is the lord of gain and loss, of success and defeat, of pleasure and pain. Thus we see that Bali3 was raised to the throne of Indra by destiny, and was also put down by the same power, and it is destiny only that call reinstate him.

Answer

It is not right to say so. As the acquisition of every object presupposes at all events some exertion on the part of man, the application of proper means may be said to be the cause of gaining all our ends, and this application of proper means being thus necessary (even where a thing is destined to happen), it follows that a person who does nothing will enjoy no happiness.

Objection 4

Those who are inclined to think that Artha is the chief object to be obtained argue thus. Pleasures should not be sought for, because they are obstacles to the practice of Dharma and Artha, which are both superior to them, and are also disliked by meritorious persons. Pleasures also bring a man into distress, and into contact with low persons; they cause him to commit unrighteous deeds, and produce impurity in him; they make him regardless of the future, and encourage carelessness and levity. And lastly, they cause him to be disbelieved by all, received by none, and despised by everybody, including himself. It is notorious, moreover, that many men who have given themselves up to pleasure alone, have been ruined along with their families and relations. Thus, king Dandakya, of the Bhoja dynasty, carried off a Brahman’s daughter with evil intent, and was eventually ruined and lost his kingdom. Indra, too, having violated the chastity of Ahalya, was made to suffer for it. In a like manner the mighty Kichaka, who tried to seduce Draupadi, and Ravana, who attempted to gain over Sita, were punished for their crimes. These and many others fell by reason of their pleasures.4

Answer

This objection cannot be sustained, for pleasures, being as necessary for the existence and well being of the body as food, are consequently equally required. They are, moreover, the results of Dharma and Artha. Pleasures are, therefore, to be followed with moderation and caution. No one refrains from cooking food because there are beggars to ask for it, or from sowing seed because there are deer to destroy the corn when it is grown up.

Thus a man practising Dharma, Artha and Kama enjoys happiness both in this world and in the world to come. The good perform those actions in which there is no fear as to what is to result from them in the next world, and in which there is no danger to their welfare. Any action which conduces to the practice of Dharma, Artha and Kama together, or of any two, or even one of them, should be performed, but an action which conduces to the practice of one of them at the expense of the remaining two should not be performed.

Footnotes

1

These were certainly materialists who seemed to think that a bird in the hand was worth two in the bush.

2

Among the Hindoos the four classes of men are the Brahmans or priestly class, the Kshutrya or warlike class, the Vaishya or agricultural and mercantile class, and the Shoodra or menial class. The four stages of life are, the life of a religious student, the life of a householder, the life of a hermit, and the life of a Sunyasi or devotee.

3

Bali was a demon who had conquered Indra and gained his throne, but was afterwards overcome by Vishnu at the time of his fifth incarnation.

4

Dandakya is said to have abducted from the forest the daughter of a Brahman, named Bhargava, and, being cursed by the Brahman, was buried with his kingdom under a shower of dust. The place was called after his name the Dandaka forest, celebrated in the Bamayana, but now unknown.

Ahalya was the wife of the sage Gautama. Indra caused her to believe that he was Gautama, and thus enjoyed her. He was cursed by Gautama and subsequently afflicted with a thousand ulcers on his body.

Kichaka was the brother-in-law of King Virata, with whom the Pandavas had taken refuge for one year. Kichaka was killed by Bhima, who assumed the disguise of Draupadi. For this story the Mahabarata should be referred to.

The story of Ravana is told in the Ramayana, which with the Mahabarata form the two great epic poems of the Hindoos; the latter was written by Vyasa, and the former by Valmiki.

CHAPTER 3

ON THE ARTS AND SCIENCES TO BE STUDIED

MAN should study the Kama Sutra and the arts and sciences subordinate thereto, in addition to the study of the arts and sciences contained in Dharma and Artha. Even young maids should study this Kama Sutra along with its arts and sciences before marriage, and after it they should continue to do so with the consent of their husbands.

Here some learned men object, and say that females, not being allowed to study any science, should not study the Kama Sutra.

But Vatsyayana is of opinion that this objection does not hold good, for women already know the practice of Kama Sutra, and that practice is derived from the Kama Shastra, or the science of Kama itself. Moreover, it is not only in this but in many other cases that, though the practice of a science is known to all, only a few persons are acquainted with the rules and laws on which the science is based. Thus the Yadnikas or sacrificers, though ignorant of grammar, make use of appropriate words when addressing the different Deities, and do not know how these words are framed. Again, persons do the duties required of them on auspicious days, which are fixed by astrology, though they are not acquainted with the science of astrology. In a like manner riders of horses and elephants train these animals without knowing the science of training animals, but from practice only. And similarly the people of the most distant provinces obey the laws of the kingdom from practice, and because there is a king over them, and without further reason.1 And from experience we find that some women, such as daughters of princes and their ministers, and public women, are actually versed in the Kama Shastra.

A female, therefore, should learn the Kama Shastra, or at least a part of it, by studying its practice from some confidential friend. She should study alone in private the sixty-four practices that form a part of the Kama Shastra. Her teacher should be one of the following persons: the daughter of a nurse brought up with her and already married,2 or a female friend who can be trusted in everything, or the sister of her mother (i.e. her aunt), or an old female servant, or a female beggar who may have formerly lived in the family, or her own sister who can always be trusted.

The following are the arts to be studied, together with the Kama Sutra:

· Singing

· Playing on musical instruments

· Dancing

· Union of dancing, singing, and playing instrumental music

· Writing and drawing

· Tattooing

· Arraying and adorning an idol with rice and flowers

· Spreading and arranging beds or couches of flowers, or flowers upon the ground

· Colouring the teeth, garments, hair, nails and bodies, i.e. staining, dyeing, colouring and painting the same

· Fixing stained glass into a floor

· The art of making beds, and spreading out carpets and cushions for reclining

· Playing on musical glasses filled with water

· Storing and accumulating water in aqueducts, cisterns and reservoirs

· Picture making, trimming and decorating

· Stringing of rosaries, necklaces, garlands and wreaths

· Binding of turbans and chaplets, and making crests and top-knots of flowers

· Scenic representations, stage playing Art of making ear ornaments Art of preparing perfumes and odours

· Proper disposition of jewels and decorations, and adornment in dress

· Magic or sorcery

· Quickness of hand or manual skill

· Culinary art, i.e. cooking and cookery

· Making lemonades, sherbets, acidulated drinks, and spirituous extracts with proper flavour and colour

· Tailor’s work and sewing

· Making parrots, flowers, tufts, tassels, bunches, bosses, knobs, etc., out of yarn or thread

· Solution of riddles, enigmas, covert speeches, verbal puzzles and enigmatical questions