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American Literature books summary (стр. 13 из 35)

Chapter Eighteen:

Holden once again considers giving Jane a call to invite her to go dancing. He remembers how she danced with Al Pike from Choate. Although Holden thought that he was "all muscles and no brains," Jane claimed that he had an inferiority complex and felt sorry for him. Holden thinks that girls divide guys into two types, no matter what their personality: a girl will justify bad behavior as part of an inferiority complex for those she likes, while claim those that she doesn't like are conceited. Holden calls Carl Luce, a friend from the Whooton School who goes to Columbia, and plans to meet him that night. He then goes to the movies and is annoyed when a woman beside him becomes too emotional. The movie is a war film, which makes Holden think about D.B.'s experience in the war. He hated the army, but had Holden read A Farewell to Arms, which in Holden's view celebrates soldiers. Holden thinks that if there is a war, he is glad that the atomic bomb has been invented, for he would volunteer to sit right on top of it.

Chapter Nineteen:

Holden meets Carl Luce at the Wicker Bar. Carl Luce used to gossip about people who were "flits" (homosexuals) and would tell which actors were actually gay. Holden claims that Carl was a bit "flitty" himself. When Carl arrives, he asks Holden when he is going to grow up, and is not amused by Holden's jokes. Carl is annoyed that he is having a "typical Caulfield conversation" about sex. Carl admits that he is seeing an older woman in the Village who is a sculptress from China. Holden asks questions that are too personal about Carl's sex life with his girlfriend until Carl insists that he drop the subject. Carl reminds him that the last time he saw Holden he told him to see his father, a psychiatrist.

Chapter Twenty:

Holden remains in the Wicker Bar getting drunk. He continues to pretend that he has been shot. Finally, he calls Sally, but her grandmother answers and asks why he is calling so late. Finally, Sally gets on the phone and realizes that Holden is drunk. In the restroom of the Wicker Bar, he talks to the "flitty-looking" guy, asking if he will see the "Valencia babe" who performs there, but he tells Holden to go home. Holden finally leaves. As he walks home, Holden drops Phoebe's record and nearly starts to cry. He goes to Central Park and sits down on a bench. He thinks that he will get pneumonia and imagines his funeral. He is reassured that his parents won't let Phoebe come to his funeral because he is too young. He thinks about what Phoebe would feel if he got pneumonia and died, and figures that he should sneak home and see her, in case he did die.

Chapter Twenty-One:

Holden returns home, where he is very quiet as not to awake his parents. Phoebe is asleep in D.B.'s room. He sits down at D.B.'s desk and looks at Phoebe's stuff, such as her math book, where she has the name "Phoebe Weatherfield Caulfield" written on the first page (her middle name is actually Josephine). He wakes up Phoebe and hugs her. She tells about how she is playing Benedict Arnold in her school play. She tells about how she saw a movie called The Doctor, and how their parents are out for the night. Holden shows Phoebe the broken record, and admits that he got kicked out. She tells him that "Daddy's going to kill you," but Holden says that he is going away to a ranch in Colorado. Phoebe places a pillow over her head and refuses to talk to Holden.

Chapter Twenty-Two:

Phoebe tells Holden that she thinks his scheme to go out to Colorado is foolish, and asks why he failed out of yet another school. He claims that Pencey is full of phonies. He tells her about how everyone excluded Robert Ackley as a sign of how phony the students are. Holden admits that there were a couple of nice teachers, including Mr. Spencer, but then complains about the Veterans' Day ceremonies. Phoebe tells Holden that he doesn't like anything that happens. She asks Holden for one thing that he likes a lot. He thinks of two things. The first is the nuns at Grand Central. The second is a boy at Elkton Hills named James Castle, who had a fight with a conceited guy named Phil Stabile. He threatened James, who responded by jumping out the window, killing himself. However, he tells Phoebe that he likes Allie, and he likes talking to Phoebe right now. Holden tells Phoebe that he would like to be a catcher in the rye: he pictures a lot of children playing in a big field of rye around the edge of a cliff. Holden imagines that he would catch them if they started to go over the cliff. Holden decides to call up Mr. Antolini, a former teacher at Elkton Hills who now teaches English at NYU.

Chapter Twenty-Three:

Holden tells that Mr. Antolini was his English teacher at Elkton Hills and was the person who carried James Castle to the infirmary. Holden and Phoebe dance to the radio, but their parents come home and Holden hides in the closet. When he believes that it is safe, Holden asks Phoebe for money and she gives him eight dollars and change. He starts to cry as he prepares to leave, which frightens Phoebe. He gives Phoebe his hunting hat and tells her that he will give her a call.

Chapter Twenty-Four:

Mr. Antolini had married an older woman who shared similar intellectual interests. When he arrives at his apartment, Holden finds Mr. Antolini in a bathrobe and slippers, drinking a highball. Holden and Mr. Antolini discuss Pencey, and Holden tells how he failed Oral Expression (debate). He tells Holden how he had lunch with his father, who told him that Holden was cutting classes and generally unprepared. He warns Holden that he is riding for some kind of terrible fall. He says that it may be the kind where, at the age of thirty, he sits in some bar hating everyone who comes in looking as if he played football in college or hating people who use improper grammar. He tells Holden that the fall that he is riding for is a special and horrible kind, and that he can see Holden dying nobly for some highly unworthy cause. He gives Holden a quote from the psychoanalyst Wilhelm Stekel: "The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one." He finally tells Holden that once he gets past the things that annoy him, he will be able to find the kind of information that will be dear to his heart. Holden goes to sleep, and wakes up to find Mr. Antolini's hand on his head. He tells Holden that he is "simply sitting here, admiring‹" but Holden interrupts him, gets dressed and leaves, claiming that he has to get his bags from Grand Central Station and he will be back soon.

Chapter Twenty-Five:

When Holden gets outside, it is getting light out. He walks over to Lexington to take the subway to Grand Central, where he slept that night. He thinks about how Mr. Antolini will explain Holden's departure to his wife. Holden feels some regret that he didn't come back to the Antolini's apartment. Holden starts reading a magazine at Grand Central; when he reads an article about hormones, he begins to worry about hormones, and worries about cancer when he reads about cancer. As Holden walks down Fifth Avenue, he feels that he will not get to the other side of the street each time he comes to the end of a block. He feels that he would just go down. He makes believe that he is with Allie every time he reaches a curb. Holden decides that he will go away, never go home again and never go to another prep school. He thinks he will pretend to be a deaf-mute so that he won't have to deal with stupid conversations. Holden goes to Phoebe's school to find her and say goodbye. At the school he sees "fuck you" written on the wall, and becomes enraged as he tries to scratch it off. He writes her a note asking her to meet him near the Museum of Art so that he can return her money. While waiting for Phoebe at the Museum, Holden chats with two brothers who talk about mummies. He sees another "fuck you" written on the wall, and is convinced that someone will write that below the name on his tombstone. Holden, suffering from diarrhea, goes to the bathroom, and as he exits the bathroom he passes out. When he regains consciousness, he feels better. Phoebe arrives, wearing Holden's hunting hat and dragging Holden's old suitcase. She tells him that she wants to come with him. She begs, but he refuses and causes her to start crying. She throws the red hunting hat back at Holden and starts to walk away. She follows Holden to the zoo, but refuses to talk to him or get near him. He buys Phoebe a ticket for the carousel there, and watches her go around on it as "Smoke Gets in Your Eyes" plays. Afterwards, she takes back the red hunting hat and goes back on the carousel. As it starts to rain, Holden cries while watching Phoebe.

Chapter Twenty-Six:

Holden ends his story there. He refuses to tell what happened after he went home and how he got sick. He says that people are concerned about whether he will apply himself next year. He tells that D.B. visits often, and he often misses Stradlater, Ackley, and even Maurice. However, he advises not to tell anybody anything, because it is this that causes a person to start missing others.

A FAREWELL TO ARMS

SOME INFO ON ERNEST HEMINGWAY

The first son of Clarence Edmonds Hemingway, a doctor, and Grace Hall Hemingway, Ernest Miller Hemingway was born in a suburb of Chicago. He was educated in the public schools and began to write in high school, where he was active and outstanding, but the parts of his boyhood that mattered most were summers spent with his family on Walloon Lake in upper Michigan. On graduation from high school in 1917, impatient for a less sheltered environment, he did not enter college but went to Kansas City, where he was employed as a reporter for the Star. He was repeatedly rejected for military service because of a defective eye, but he managed to enter World War I as an ambulance driver for the American Red Cross. On July 8, 1918, not yet 19 years old, he was injured on the Austro-Italian front at Fossalta di Piave. Decorated for heroism and hospitalized in Milan, he fell in love with a Red Cross nurse, Agnes von Kurowsky, who declined to marry him. These were experiences he was never to forget.

After recuperating at home, Hemingway renewed his efforts at writing, for a while worked at odd jobs in Chicago, and sailed for France as a foreign correspondent for the Toronto Star. Advised and encouraged by other American writers in Paris--F. Scott Fitzgerald, Gertrude Stein, Ezra Pound--he began to see his nonjournalistic work appear in print there, and in 1923 his first important book, a collection of stories called In Our Time, was published in New York City. In 1926 he published The Sun Also Rises, a novel with which he scored his first solid success. A pessimistic but sparkling book, it deals with a group of aimless expatriates in France and Spain--members of the postwar "lost generation," a phrase that Hemingway scorned while making it famous. This work also introduced him to the limelight, which he both craved and resented for the rest of his life. Hemingway's The Torrents of Spring, a parody of the American writer Sherwood Anderson's book Dark Laughter, also appeared in 1926.The writing of books occupied him for most of the postwar years. He remained based in Paris, but he traveled widely for the skiing, bullfighting, fishing, or hunting that by then had become part of his life and formed the background for much of his writing. His position as a master of short fiction had been advanced by Men Without Women in 1927 and thoroughly established with the stories in Winner Take Nothing in 1933.

Among his finest stories are "The Killers," "The Short Happy Life of Francis Macomber," and "The Snows of Kilimanjaro." At least in the public view, however, the novel A Farewell to Arms (1929) overshadowed such works. Reaching back to his experience as a young soldier in Italy, Hemingway developed a grim but lyrical novel of great power, fusing love story with war story. While serving with the Italian ambulance service during World War I, the American lieutenant Frederic Henry falls in love with the English nurse Catherine Barkley, who tends him during his recuperation after being wounded. She becomes pregnant by him, but he must return to his post. Henry deserts during the Italians' disastrous retreat after the Battle of Caporetto, and the reunited couple flee Italy by crossing the border into Switzerland. There, however, Catherine and her baby die during childbirth, leaving Henry desolate at the loss of the great love of his life.

Hemingway's love of Spain and his passion for bullfighting resulted in Death in the Afternoon (1932), a learned study of a spectacle he saw more as tragic ceremony than as sport. Similarly, a safari he took in 1933-34 in the big-game region of Tanganyika resulted in The Green Hills of Africa (1935), an account of big-game hunting. Mostly for the fishing, he bought a house in Key West, Florida, and bought his own fishing boat. A minor novel of 1937 called To Have and Have Not is about a Caribbean desperado and is set against a background of lower-class violence and upper-class decadence in Key West during the Great Depression.By now Spain was in the midst of civil war. Still deeply attached to that country, Hemingway made four trips there, once more a correspondent. He raised money for the Republicans in their struggle against the Nationalists under General Francisco Franco, and he wrote a play called The Fifth Column (1938), which is set in besieged Madrid. As in many of his books, the protagonist of the play is based on the author. Following his last visit to the Spanish war he purchased Finca Vigia ("Lookout Farm"), an unpretentious estate outside Havana, Cuba, and went to cover another war--the Japanese invasion of China.

The harvest of Hemingway's considerable experience of Spain in war and peace was the novel For Whom the Bell Tolls (1940), a substantial and impressive work that some critics consider his finest novel, in preference to A Farewell to Arms. It was also the most successful of all his books as measured in sales. Set during the Spanish Civil War, it tells of Robert Jordan, an American volunteer who is sent to join a guerrilla band behind the Nationalist lines in the Guadarrama Mountains. Most of the novel concerns Jordan's relations with the varied personalities of the band, including the girl Maria, with whom he falls in love. Through dialogue, flashbacks, and stories, Hemingway offers telling and vivid profiles of the Spanish character and unsparingly depicts the cruelty and inhumanity stirred up by the civil war. Jordan's mission is to blow up a strategic bridge near Segovia in order to aid a coming Republican attack, which he realizes is doomed to fail. In an atmosphere of impending disaster, he blows up the bridge but is wounded and makes his retreating comrades leave him behind, where he prepares a last-minute resistance to his Nationalist pursuers.All of his life Hemingway was fascinated by war--in A Farewell to Arms he focused on its pointlessness, in For Whom the Bell Tolls on the comradeship it creates--and as World War II progressed he made his way to London as a journalist. He flew several missions with the Royal Air Force and crossed the English Channel with American troops on D-Day (June 6, 1944).

Attaching himself to the 22nd Regiment of the 4th Infantry Division, he saw a good deal of action in Normandy and in the Battle of the Bulge. He also participated in the liberation of Paris and, although ostensibly a journalist, he impressed professional soldiers not only as a man of courage in battle but also as a real expert in military matters, guerrilla activities, and intelligence collection.Following the war in Europe, Hemingway returned to his home in Cuba and began to work seriously again. He also traveled widely, and on a trip to Africa he was injured in a plane crash. Soon after (in 1953), he received the Pulitzer Prize in fiction for The Old Man and the Sea (1952), a short, heroic novel about an old Cuban fisherman who, after an extended struggle, hooks and boats a giant marlin only to have it eaten by voracious sharks during the long voyage home.