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Additional Poems By Robert Frost Essay Research (стр. 1 из 2)

Additional Poems By Robert Frost Essay, Research Paper

My November Guest

My Sorrow, when she’s here with me,

Thinks these dark days of autumn rain

Are beautiful as days can be;

She loves the bare, the withered tree;

She walks the sodden pasture lane.

Her pleasure will not let me stay.

She talks and I am fain to list:

She’s glad the birds are gone away,

She’s glad her simple worsted gray

Is silver now with clinging mist.

The desolate, deserted trees,

The faded earth, the heavy sky,

The beauties she so truly sees,

She thinks I have no eye for these,

And vexes me for reason why.

Not yesterday I learned to know

The love of bare November days

Before the coming of the snow,

But it were vain to tell her so,

And they are better for her praise.

from A Boy’s Will (1914)

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Mowing

There was never a sound beside the wood but one,

And that was my long scythe whispering to the ground.

What was it it whispered? I knew not well myself;

Perhaps it was something about the heat of the sun,

Something, perhaps, about the lack of sound—

And that was why it whispered and did not speak.

It was no dream of the gift of idle hours,

Or easy gold at the hand of fay or elf:

Anything more than the truth would have seemed too weak

To the earnest love that laid the swale in rows,

Not without feeble-pointed spikes of flowers

(Pale orchises), and scared a bright green snake.

The fact is the sweetest dream that labor knows.

My long scythe whispered and left the hay to make.

from A Boy’s Will (1914)

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The Pasture

I’m going out to clean the pasture spring;

I’ll only stop to rake the leaves away

(And wait to watch the water clear, I may):

I sha’n’t be gone long.—You come too.

I’m going out to fetch the little calf

That’s standing by the mother. It’s so young,

It totters when she licks it with her tongue.

I sha’n’t be gone long.—You come too.

from North of Boston (1915)

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The Death of the Hired Man

Mary sat musing on the lamp-flame at the table

Waiting for Warren. When she heard his step,

She ran on tip-toe down the darkened passage

To meet him in the doorway with the news

And put him on his guard. “Silas is back.”

She pushed him outward with her through the door

And shut it after her. “Be kind,” she said.

She took the market things from Warren’s arms

And set them on the porch, then drew him down

To sit beside her on the wooden steps.

“When was I ever anything but kind to him?

But I’ll not have the fellow back,” he said.

“I told him so last haying, didn’t I?

‘If he left then,’ I said, ‘that ended it.’

What good is he? Who else will harbour him

At his age for the little he can do?

What help he is there’s no depending on.

Off he goes always when I need him most.

‘He thinks he ought to earn a little pay,

Enough at least to buy tobacco with,

So he won’t have to beg and be beholden.’

‘All right,’ I say, ‘I can’t afford to pay

Any fixed wages, though I wish I could.’

‘Someone else can.’ ‘Then someone else will have to.’

I shouldn’t mind his bettering himself

If that was what it was. You can be certain,

When he begins like that, there’s someone at him

Trying to coax him off with pocket-money,—

In haying time, when any help is scarce.

In winter he comes back to us. I’m done.”

“Sh! not so loud: he’ll hear you,” Mary said.

“I want him to: he’ll have to soon or late.”

“He’s worn out. He’s asleep beside the stove.

When I came up from Rowe’s I found him here,

Huddled against the barn-door fast asleep,

A miserable sight, and frightening, too—

You needn’t smile—I didn’t recognise him—

I wasn’t looking for him—and he’s changed.

Wait till you see.”

“Where did you say he’d been?”

“He didn’t say. I dragged him to the house,

And gave him tea and tried to make him smoke.

I tried to make him talk about his travels.

Nothing would do: he just kept nodding off.”

“What did he say? Did he say anything?”

“But little.”

“Anything? Mary, confess

He said he’d come to ditch the meadow for me.”

“Warren!”

“But did he? I just want to know.”

“Of course he did. What would you have him say?

Surely you wouldn’t grudge the poor old man

Some humble way to save his self-respect.

He added, if you really care to know,

He meant to clear the upper pasture, too.

That sounds like something you have heard before?

Warren, I wish you could have heard the way

He jumbled everything. I stopped to look

Two or three times—he made me feel so queer—

To see if he was talking in his sleep.

He ran on Harold Wilson—you remember—

The boy you had in haying four years since.

He’s finished school, and teaching in his college.

Silas declares you’ll have to get him back.

He says they two will make a team for work:

Between them they will lay this farm as smooth!

The way he mixed that in with other things.

He thinks young Wilson a likely lad, though daft

On education—you know how they fought

All through July under the blazing sun,

Silas up on the cart to build the load,

Harold along beside to pitch it on.”

“Yes, I took care to keep well out of earshot.”

“Well, those days trouble Silas like a dream.

You wouldn’t think they would. How some things linger!

Harold’s young college boy’s assurance piqued him.

After so many years he still keeps finding

Good arguments he sees he might have used.

I sympathise. I know just how it feels

To think of the right thing to say too late.

Harold’s associated in his mind with Latin.

He asked me what I thought of Harold’s saying

He studied Latin like the violin

Because he liked it—that an argument!

He said he couldn’t make the boy believe

He could find water with a hazel prong—

Which showed how much good school had ever done him.

He wanted to go over that. But most of all

He thinks if he could have another chance

To teach him how to build a load of hay——”

“I know, that’s Silas’ one accomplishment.

He bundles every forkful in its place,

And tags and numbers it for future reference,

So he can find and easily dislodge it

In the unloading. Silas does that well.

He takes it out in bunches like big birds’ nests.

You never see him standing on the hay

He’s trying to lift, straining to lift himself.”

“He thinks if he could teach him that, he’d be

Some good perhaps to someone in the world.

He hates to see a boy the fool of books.

Poor Silas, so concerned for other folk,

And nothing to look backward to with pride,

And nothing to look forward to with hope,

So now and never any different.”

Part of a moon was falling down the west,

Dragging the whole sky with it to the hills.

Its light poured softly in her lap. She saw

And spread her apron to it. She put out her hand

Among the harp-like morning-glory strings,

Taut with the dew from garden bed to eaves,

As if she played unheard the tenderness

That wrought on him beside her in the night.

“Warren,” she said, “he has come home to die:

You needn’t be afraid he’ll leave you this time."

“Home,” he mocked gently.

“Yes, what else but home?

It all depends on what you mean by home.

Of course he’s nothing to us, any more

Than was the hound that came a stranger to us

Out of the woods, worn out upon the trail.”

“Home is the place where, when you have to go there,

They have to take you in.”

“I should have called it

Something you somehow haven’t to deserve.”

Warren leaned out and took a step or two,

Picked up a little stick, and brought it back

And broke it in his hand and tossed it by.

“Silas has better claim on us you think

Than on his brother? Thirteen little miles

As the road winds would bring him to his door.

Silas has walked that far no doubt to-day.

Why didn’t he go there? His brother’s rich,

A somebody—director in the bank.”

“He never told us that.”

“We know it though.”

“I think his brother ought to help, of course.

I’ll see to that if there is need. He ought of right

To take him in, and might be willing to—

He may be better than appearances.

But have some pity on Silas. Do you think

If he’d had any pride in claiming kin

Or anything he looked for from his brother,

He’d keep so still about him all this time?”

“I wonder what’s between them.”

“I can tell you.

Silas is what he is—we wouldn’t mind him—

But just the kind that kinsfolk can’t abide.

He never did a thing so very bad.

He don’t know why he isn’t quite as good

As anyone. He won’t be made ashamed

To please his brother, worthless though he is.”

“I can’t think Si ever hurt anyone.”

“No, but he hurt my heart the way he lay

And rolled his old head on that sharp-edged chair-back.

He wouldn’t let me put him on the lounge.

You must go in and see what you can do.

I made the bed up for him there to-night.

You’ll be surprised at him—how much he’s broken.

His working days are done; I’m sure of it.”

“I’d not be in a hurry to say that.”

“I haven’t been. Go, look, see for yourself.

But, Warren, please remember how it is:

He’s come to help you ditch the meadow.

He has a plan. You mustn’t laugh at him.

He may not speak of it, and then he may.

I’ll sit and see if that small sailing cloud

Will hit or miss the moon.”

It hit the moon.

Then there were three there, making a dim row,

The moon, the little silver cloud, and she.

Warren returned—too soon, it seemed to her,

Slipped to her side, caught up her hand and waited.

“Warren,” she questioned.

“Dead,” was all he answered.

from North of Boston (1915)

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The Mountain

The mountain held the town as in a shadow

I saw so much before I slept there once:

I noticed that I missed stars in the west,

Where its black body cut into the sky.

Near me it seemed: I felt it like a wall

Behind which I was sheltered from a wind.

And yet between the town and it I found,

When I walked forth at dawn to see new things,

Were fields, a river, and beyond, more fields.

The river at the time was fallen away,

And made a widespread brawl on cobble-stones;

But the signs showed what it had done in spring;

Good grass-land gullied out, and in the grass

Ridges of sand, and driftwood stripped of bark.

I crossed the river and swung round the mountain.

And there I met a man who moved so slow

With white-faced oxen in a heavy cart,

It seemed no hand to stop him altogether.

“What town is this?” I asked.

“This? Lunenburg.”

Then I was wrong: the town of my sojourn,

Beyond the bridge, was not that of the mountain,

But only felt at night its shadowy presence.

“Where is your village? Very far from here?”

“There is no village—only scattered farms.

We were but sixty voters last election.

We can’t in nature grow to many more:

That thing takes all the room!” He moved his goad.

The mountain stood there to be pointed at.

Pasture ran up the side a little way,

And then there was a wall of trees with trunks:

After that only tops of trees, and cliffs

Imperfectly concealed among the leaves.

A dry ravine emerged from under boughs

Into the pasture.

“That looks like a path.

Is that the way to reach the top from here?—

Not for this morning, but some other time:

I must be getting back to breakfast now.”

“I don’t advise your trying from this side.

There is no proper path, but those that have

Been up, I understand, have climbed from Ladd’s.

That’s five miles back. You can’t mistake the place:

They logged it there last winter some way up.

I’d take you, but I’m bound the other way.”

“You’ve never climbed it?”

“I’ve been on the sides

Deer-hunting and trout-fishing. There’s a brook

That starts up on it somewhere—I’ve heard say

Right on the top, tip-top—a curious thing.

But what would interest you about the brook,

It’s always cold in summer, warm in winter.

One of the great sights going is to see

It steam in winter like an ox’s breath,

Until the bushes all along its banks

Are inch-deep with the frosty spines and bristles—

You know the kind. Then let the sun shine on it!”

“There ought to be a view around the world

From such a mountain—if it isn’t wooded

Clear to the top.” I saw through leafy screens

Great granite terraces in sun and shadow,

Shelves one could rest a knee on getting up—

With depths behind him sheer a hundred feet;

Or turn and sit on and look out and down,

With little ferns in crevices at his elbow.

“As to that I can’t say. But there’s the spring,

Right on the summit, almost like a fountain.

That ought to be worth seeing.”

“If it’s there.

You never saw it?”

“I guess there’s no doubt

About its being there. I never saw it.

It may not be right on the very top:

It wouldn’t have to be a long way down

To have some head of water from above,

And a good distance down might not be noticed

By anyone who’d come a long way up.

One time I asked a fellow climbing it

To look and tell me later how it was.”

“What did he say?”

“He said there was a lake

Somewhere in Ireland on a mountain top.”

“But a lake’s different. What about the spring?”

“He never got up high enough to see.

That’s why I don’t advise your trying this side.

He tried this side. I’ve always meant to go

And look myself, but you know how it is:

It doesn’t seem so much to climb a mountain

You’ve worked around the foot of all your life.

What would I do? Go in my overalls,

With a big stick, the same as when the cows

Haven’t come down to the bars at milking time?

Or with a shotgun for a stray black bear?

’Twouldn’t seem real to climb for climbing it.”

“I shouldn’t climb it if I didn’t want to—

Not for the sake of climbing. What’s its name?”

“We call it Hor: I don’t know if that’s right.”

“Can one walk around it? Would it be too far?”

“You can drive round and keep in Lunenburg,

But it’s as much as ever you can do,

The boundary lines keep in so close to it.

Hor is the township, and the township’s Hor—

And a few houses sprinkled round the foot,

Like boulders broken off the upper cliff,

Rolled out a little farther than the rest.”

“Warm in December, cold in June, you say?”

"I don’t suppose the water’s changed at all.

You and I know enough to know it’s warm

Compared with cold, and cold compared with warm.

But all the fun’s in how you say a thing.”

“You’ve lived here all your life?”

“Ever since Hor

Was no bigger than a——” What, I did not hear.

He drew the oxen toward him with light touches

Of his slim goad on nose and offside flank,

Gave them their marching orders and was moving.

from North of Boston (1915)

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The Fear

A lantern light from deeper in the barn

Shone on a man and woman in the door

And threw their lurching shadows on a house

Near by, all dark in every glossy window.

A horse’s hoof pawed once the hollow floor,

And the back of the gig they stood beside

Moved in a little. The man grasped a wheel,

The woman spoke out sharply, “Whoa, stand still!”

“I saw it just as plain as a white plate,”

She said, “as the light on the dashboard ran

Along the bushes at the roadside—a man’s face.

You must have seen it too.”

“I didn’t see it.

Are you sure——”

“Yes, I’m sure!”

“—it was a face?”

“Joel, I’ll have to look. I can’t go in,

I can’t, and leave a thing like that unsettled.

Doors locked and curtains drawn will make no difference.

I always have felt strange when we came home