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AE Housman Scholar And Poet Essay Research (стр. 2 из 2)

noisiness. The lover shuts them up as he might the disturbing

prattle of a child: ?Oh, noisy bells, be dumb; I hear you, I will

come (Ricks 73).?

Another recurring theme in Housman?s poetry is the loss of youth and

beauty. Housman?s youth?s sometimes die into nature and become part of the

natural surroundings (Discovering Authors 8). The poem With Rue my Heart is

Laden deals with the fading away of youth and beauty and their burial in nature.

With rue my heart is laden

For golden friends I had,

For many a rose-lipped maiden

And many a lightfoot lad.

By brooks too broad for leaping

The lightfoot boys are laid;

The rose-lipped girls are sleeping

In fields where roses fade.

In the first stanza the speaker is explaining how his heart is full of sorrow

because all of his friends that were once ?golden?, youthful, and beautiful are all

dead. The adjective ?rose-lipped maiden? is describing the speaker?s lady

friends that were attractive, youthful, and vibrant. The term ?lightfoot lad? is

describing the speaker?s male friends that were handsome, athletic, and strong.

In the second stanza the speaker is describing how the ?lightfoot boys?

now lay next to the ?brooks to broad for leaping? that they could once leap in

their youth. The ?rose-lipped? girls are now ?sleeping? in the ?fields where roses

fade.? These fields used to be beautiful and alive like the maidens once were,

but the fields are also getting old and fading away (Discovering Authors 8).

?In his roles as a classical scholar and poet, Housman exhibited an

unswerving integrity. While this integrity served him well in his classical

endeavors, in his poetry it may have relegated him to a rank below that of the

major poets of his age (Discovering Authors 4). Housman never has been a

fashionable poet, yet he continues to maintain an audience and his reputation

remains steady. The melancholy and pessimism in Housman?s poems capture

the attention of readers and is perhaps the reason why his poetry is still read

and studied today. A.E. Housman was a human figure whose life and career

were often moving as well as extraordinary.

Bibliography

Amis, Kingsley. The New Oxford Book of English Light Verse. New York: Oxford

University Press, 1978

Gow, Andrew Sydenham Farrar. A.E. Housman: A sketch. New York: Macmillan,

1936.

Graves, Richard Percival. A.E. Housman, the Scholar-Poet. New York: Scribner,

1979.

Haber, Thomas Burns. A.E. Housman. New York: Twayne Publishers, 1967.

Harmon, William. The Top 500 Poems. New York: Columbia University Press, 1992.

Hawkins, Maude M. A.E. Housman; Man Behind a Mask. Chicago: H. Regency, 1958.

Hoagwood, Terence Allan. A.E. Housman Revisited. New York: Twayne, 1995

Housman, A.E. A Shropshire Lad. London: K. Paul, Trench, Treuber, 1896.

Housman, Laurence. My Brother, A.E. Housman: Personal Recollections. New York:

C. Scribner?s Sons, 1938.

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Scribner?s Sons, 1983.

Leggett, Bobby Joe. The Poetic Art of A.E. Housman: Theory and Practice. Lincoln:

University of Nebraska Press, 1978.

Magill, Frank N. Critical Survey of Poetry. Vol. 4. New jersey: Salem Press,

1982.

Marlow, Norman. A.E. Housman: Scholar and Poet. Minneapolis: University of

Minnesota Press, 1958.

Page, Norman. A.E. Housman, A Critical Biography. New York: Schoken Books,

1983.

Richards, Grant. Housman, 1897-1936. New York: Octagon Books, 1973.

Ricks, Christopher B. A.E. Housman; A Collection of Critical Essays. New Jersey:

Prentice Hall, 1968.

Robinson, Oliver. Angry Dust: The Poetry of A.E. Housman. New York: Bruce

Humphries, 1950.

Untermeyer, Louis. Lives of the Poets. New York: Simon and Schuster inc., 1959.

Watson, George L. A.E. Housman: A Divided Life. Boston: Beacon Press, 1958.

Withers, Percy. A Buried Life; Personal Recollections of A.E. Housman. Folcroft:

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